They are designed to test your understanding of major themes and details from the play as a whole. Following the topics are outlines you can use as a starting point for writing an analytical paper. Topic 1 In thinking of the Langston Hughes poem from which the title of this play was taken, the key concept of dreams deferred comes to mind. Choose three characters in the play and state what their dreams are, including symbolism related to their dreams.
More simply, the question Hansberry poses in her play is, "What happens to a person whose dreams grow more and more passionate — while his hopes of ever achieving those dreams grow dimmer each day? Several other motifs are also successfully intertwined into this drama.
Hansberry's avant-garde concerns, her prophetic political vision, and her ability to perceive the future importance of events that few people in were even aware of are used as lesser motifs or minor themes throughout the play.
The issue of feminism is one such example. Three generations of women reside in the Younger household, each possessing a different political perspective of herself as a woman.
Mama Lena Youngerin her early sixties, speaks "matter-of-factly" about her husband's prior womanizing. Ruth, about thirty, is more vocal about her feelings to her own husband than Mama was; still, Ruth is not as enlightened about a woman's "place" as is Beneatha, who is about twenty and pursuing a career that, inwas largely a male-dominated profession.
Much of the conflict between Beneatha and Walter revolves around Walter's chauvinistic view of Beneatha. When Walter complains that Beneatha's medical schooling will cost more than the family can afford, he bases his argument on the fact that since Beneatha is a woman, she should not even want to become a doctor.
Walter's resentment and anger erupts in Act I, Scene 1: If you so crazy 'bout messing 'round with sick people — then go be a nurse like other women — or just get married and be quiet. She never yields to Walter and, in some cases, even goads him into a confrontation.
Ruth's advice to Beneatha is that she should just "be nice" sometimes and not argue over every one of Walter's insensitive remarks. This advice is, of course, totally unacceptable to a character like Beneatha, to whom feistiness is a virtue and docility a "sin.
She makes it clear, early on, that she has no use for George Murchison because of his shallow beliefs.
She makes it clear to Ruth that she doesn't understand how anyone could have married someone like Walter. And she defies her mother on religious points; in fact, Mama has to slap Beneatha before she will back down. However, after Mama has left the room, Beneatha still says to Ruth that there is no God.
Mama is the "head of her household" only by default. She had to take charge after the death of Big Walter, whose name suggests that he was in charge of his family prior to his death.
Mama appears to be always ready to hand over the reins to her son and let him be "head of the household" for one reason: He is a man. She entrusts Walter with the remaining insurance money because she feels that she has robbed him of his "manhood" by having done with the money what she thought was best.
Mama is the type of woman who believes that the man should be in charge. Ruth apparently agrees, but Beneatha does not. Hansberry skillfully introduces issues of feminism that were not addressed as a political issue until a decade after the play's Broadway opening. Along with feminism, the theme of fecundity fertility; being fruitfully prolific is threaded throughout this play.
Three generations of Youngers live in the same household; in addition, both Ruth's possible pregnancy and her contemplation of abortion become focal points of the drama, and Mama's reference to the child that she lost is emphasized.
She does not merely mention Baby Claude in conversation; rather she dwells upon her loss dramatically. At the beginning of the play, Ruth serves eggs — but not without getting into an argument with Walter over the eggs — which again accentuates the importance of this symbol of fertility to the play.
In addition, toward the end of the play, we learn that Mama's maiden name was Lena Eggleston, a name that underscores the theme of fecundity as much as the argument over eggs at the beginning of the play.
A related motif is the subject of abortion, which was taboo and illegal in Ruth considers an abortion in order to save her "living family" from further economic distress.
The slightest reference to the word, however, sends the other family members into an emotional tailspin. Even Beneatha's inadvertently callous response to Ruth's pregnancy is "Where is it going to sleep? Mama says in exasperation: Ruth is trapped both by poverty and by the knowledge that her relationship with Walter Lee is rapidly deteriorating.
Walter, although surprised to learn that she is contemplating an abortion, is still too caught up with his "get-rich-quick" scheme to offer her emotional support. Ruth contemplates an abortion because she believes this decision would be in the best interest of her family.
Whether or not Ruth will actually decide on an abortion is debatable, for Ruth says to Mama in Act I, "Ain't no thin' can tear at you like losin' your baby. At this point in the play, Ruth's pregnancy has not yet been verified, but the dialogue spawned by the abortion controversy in this drama is as relevant today as it was inwhen the play opened.Walter Lee's Dreams in A Raisin in The Sun Essay - Lorraine Hansberry's A Raisin in the Sun is a play about segregation, triumph, and coping with personal tragedy.
Set in Southside Chicago, A Raisin in the Sun focuses on the individual dreams of the Younger family and their personal achievement.
A Raisin in the Sun; Suggested Essay Topics; A Raisin in the Sun by: Lorraine Hansberry Summary. Plot Overview Suggested Essay Topics. 1. How does the idea of assimilationism become important? 2. Discuss the title of the play.
How do power and authority change hands over the course of the play? 5. Discuss how minor characters .
- Lorraine Hansberry's A Raisin In The Sun In the play, A Raisin in the Sun, by Lorraine Hansberry, one of the most important themes is the American Dream. Many of the characters in this play have hopes and aspirations; they all strive towards their goals throughout the play.
A Raisin in the Sun Socratic Seminar Questions 1. “A Raisin in the Sun” depicts life for African Americans around the ’s in the south side of Chicago.
Throughout the book, the Younger family undergoes a constant struggle of financial hardships and racial prejudice and segregation.
A Raisin in the Sun Homework Help Questions. A Raisin in the Sun was considered a realistic portrayal of a contemporary problem, yet it has There are a couple of reasons that the play is as.
Lorraine Hansberry's A Raisin In The Sun A dream deferred is a dream put off to another time, much like this essay. But unlike dreams sometimes, this essay will get fulfilled and done with.
A Raisin in the Sun Essay. BACK; NEXT ; Writer’s block can be painful, but we’ll help get you over the hump and build a great outline for your paper. A Raisin in the Sun Questions and Answers. The Question and Answer section for A Raisin in the Sun is a great resource to ask questions, . Critical Essays Thematic Structure of A Raisin In The Sun Bookmark this page Manage My Reading List The underlying theme of Hansberry's Raisin is in the question posed by Langston Hughes' poem "Montage of a Dream Deferred," when he asks, "What happens to a dream deferred?".
Each character from A Raisin in the Sun had a deferred dream, even little Travis although his dream was not directly stated.